If you followed me on instagram you may know that project ONOMA is its final stages. Mixing and Mastering are done. Artwork and Logo reworking are finished.
Here it is:
Now the it needs to be dispatched to all major streaming outlets. Soon you will be able to pre-save the first tracks on Bandcamp.
Keep your eyes on my social media for further update.While you’re waiting just listen to my old stuff and follow me everywhere.
On the first of January I embarked on a new musical journey. I started project ONOMA.
The challenge: create an instrumental album with at least two tracks, 20 minutes each, for a release in mid-August. The title is the Greek word for name. Cheesy I know. But it has a very musical ring to me.
In August 2018 I made the opening theme, while just doodling on Machine, in 2 days, bounced it to Google drive to listen to it on my mobile. When I wanted to start working on it again the next day, my music hard drive crashed and I lost all of the midi files related to it and most of the midi for my backcatalogue. Just the bounced file and the tweaked Maschine beat survived. As I also lost access to my plugins, I couldn’t restart the work until I had built up my PC again.
I almost had forgotten about the track. In December I started to clean up my Google drive an rediscovered it, liked it and had the idea for the challenge. And so the new year’s resolution for this challenge was born.
By now I am well into creating the first track, the A-side. The style is eclectic as always. It definitely has vibes from Oldfield and Jarre. A little Markus is in there, too. Shifting from Rock to Folk to Pop to synthy Techno.
I started an production update series on my Instagram. Soon I will be uploading some sounds. Stay tuned for it.
But the project is not only a musical one. I also decided to streamline my visual appearance on social. I will focus on Instagram and started by trying to find a more coherent style for my posts. I hope you’ll like it.
This is all a evolutionary process. I hope the final product will find an audience.
As you may know 2018 was a year of disasters for me. Not only was I hospitalised with having had a heart attack, I still suffer from cardiomyopathy. But I am recovering and almost back to form. But by far the worst thing happened in September when my music harddrive, yes the one with all my instruments and my music went down. Sure I was backing up most of the files,and the instruments could be restored. But what I didn’t know , was that the backup was corrupted too.
I set all my hopes in a professional recovery service, prepared to shell out some serious money to get it all back, but all my hopes failed. Yep. Almost all the production files of my tracks since 2013 are lost. Thank god, only two current, unreleased tracks were lost. The tracks up to 2016 are on an old PC I will copy some time in the future. Some are backed up on blend.io. And I’m currently downloading them. So, until December I was on a forced production hiatus, as I had only very basic tools to work with, and underwent some medical rehab treatment.
But once black Friday came the Itch was back. I replaced my Maschine MK1 with an MK3 and stocked up on some synth. You can never have enough plugins …
So I’m back to making music but for now searching a theme for the next album. I’m sure the spark will come soon and I’ll be back on some late night sessions fiddling over some Bihar beat … Until then I wish all of you a very good start into 2019 and health for you and your hard drives.
PS: I am now backing up daily on a separate NAS harddrive and checking the backup integrity also daily.
My new album ORIGIN finally has been released on Bandcamp and Soundcloud on August 31. 2018. The full worldwide release will follow on September 3.
ORIGIN IS HERE. This album was my first foray into the sound of modular synthesis. I used Native Instruments Reaktor6 to crate new and exciting soundscapes to weave my melodies around. Building beats on Maschine i.e. and putting them through Reaktor effect Modular or sampling some crazy sounds from free Instruments on the Reaktor User Library was a wonderful experience. Next to Reaktor I have to cite several Heavocity VSTs I must as Inspiration for some tracks as well as the Roli Seabord which makes my VSTGuitarist life a lot easier. The electric guitars sounds so much more realistic. A late addition was the new version of Vocaloid5, which gets the non-vocalist a much more realistic voice. I will surely explore this in the future. Lastly I ventured into the binaural experience. Using the free Sennheiser AMBEO plugin I tried to broaden my tracks and make ORIGIN a truly immersive experience.
So, put on your headphones and dive into the deep, rich tapestry of sounds and melodies. Let yourself feel the pulse of life and the relaxation of flight. ORIGIN to me is a wonderful journey, best listened to on headphones from the first track to the last. Thank you for listening.
The story behind ORIGIN
Origin has been an adventure in hard times. As you may know, I had a heart attack at the beginning of 2018 and am still suffering from heart insufficiency. As a result, I had way more time on my hands than was good for me. So I dived into creating new music, my one and only true passion besides my family.
The playful beginnings
One morning I started to play with some Reaktor Instruments I had never used and it sounded fun. I started sampling the sounds added some field recorded sounds and other samples, some quite raunchy samples I must admit, and what-do-you-know I suddenly had a track of almost 8 minutes with no real chord progression, no real melody, no real text. Just a slowly developing beat with some sound effects. I loved it. Listen to Tumbling.
From then on the whole album developed quite naturally. I couldn’t help but return to music with chords, melody, and rhythm, though. This just sounds thing was a one-off. I cannot deny that some tracks show my frustration at my slow-paced recovery and may sound angry at the world. Listen to Traumatic and (Not) End Of The World. But the joy of creating something new for my sound has also helped me through darker times.
Not only dark moods
There are also bright moments that reflect the better days. Cloudless Sky was the first track that deviated from the pattern mentioned above. Sometimes a glitch in the software can do the trick. I normally use Maschine as a plugin in Ableton when creating a track. Often after having created a basic track or some idea in Maschine standalone. Here the plugin stopped working for some mysterious reason. So I had a look at some of the new beat sets in Ableton and created the beat that sounded a bit like a tabla rhythm. Above that I just played some easy chords and started riffing with my seaboard and a guitar sound. Voila. Happy accident as Bob Ross would say.
Being a bad vocalist I am long interested in synthetic vocals. The spoken vocals are mostly created with the google translator. The singing voices are the new Vocaloid5. The release of the new update sparked a new wave of tracks. Dreamland was created as I needed an opener for the album. What else was an attempt at creating a song with that great new vocal engine that you really could enjoy. I feel that with Dreamland I created a little EP inside the album. Tracks 1 to 5 are a loosely told story of an excessively emotional time for me.
What is the ORIGIN
The story of creating the cover for the album I already told in the last post. What I haven’t told you that the title came before the track Origin. In a situation like mine, you naturally search for a reason why. Why me? Why now? Why at all? What is the ORIGIN of all this? So I came up with an answer in my music. You need to listen to get it too.
Thank you for listening and don’t forget to follow me everywhere. Go here.
Hi folks, recovery is going well and so is the next album. After some mixing and mastering problems as well as some problems convincing @routenote about the origin of the vocal samples, the release is now finally on its way to all major streaming sites.
The title of the album will be ORIGIN. I will tell you the origin story (no pun intended) in a later post.
If you want to have a sneak peek into the sound follow me on my social media. I already posted some snippets and will do so in the coming days.
Simply go to my link.tree for a shortcut to all my social media.
Cover artwork at last
The cover art was quite a challenge too. When it comes to making the final decision, I’m quite a lazy procrastinator. Even the final idea went through multiple iterations and took about 4 months to come to fruition.
Two similar ideas were shelved after the first month. Somehow they didn’t seem to fit my idea of developing something to remember.
If you want to have a listen to the sound of ORIGIN, just follow me on my social media. I already posted some snippets here and there, as well as some video stuff. I will do so in the days to come. Be sure to follow me on Spotify to get me on your Release Radar.
The deadline has passed. Another milestone in my humble career as a DIY musician is approaching the finish line. I reviewed all of the submitted remixes and have picked Andy as the Grand Prize Winner receiving Neutron (Standard) by Izotope and ROLI’s Equator. Congratulations!
The runner-ups are Millennium Mike and Chiapexx who will also be featured on the upcoming release. Thanks to everyone who collaborated with me, Check out their fresh remixes below:
The first prize goes to the first one to enter the remix competition. Just a coincidence? Not really. Andy is a real contender for the win every time. I liked how he took the themes and meshed them up just the right way. Thanks, Bro. Be sure to follow him on social. Links are found in his blend account.
Though I felt Andy’s was the most innovative of the remixes, they were all really great. So Enjoy them all. Thanks to both of you for putting in the time and creativity. Very much appreciated. Be sure to follow them on social as well. (see blend account for details.)
And if you want to listen to the original of “No Gummybears For The Genie” or to the full album “NYC Nights” just listen here
Don’t forget to follow me on Spotify and anywhere else on social media. Just go to my link.tree for a direct link to anywhere you can find me on the net.
I’m proud to announce that leading music collaboration platform blend.io, owned by Roli, the makers of the creative music creation tools Seaboard and Blocks, is hosting a remix contest for my new release “No Gummy Bears For The Genie”. Read the official announcement here:
Markus Adams Calls For Remixes From His Newest Release, Win Prizes From Izotope, ROLI & More!
German songwriter/producer Markus Adams is known for this signature ambient electronic instrumental music popular among the Blend community. Markus has released a follow up to his Blend release NOWwhich is a concept album called NYC Nights.
Markus bought a cheap field recorder and was inspired by the big city’s constant sound from Sirens to Jackhammers to buzzing people to create an incredible new record fusing influences of Rock to Jazz to EDM to Classical. Markus Adams has published the stems for his pulsating dreamy pop anthem “No Gummy Bears For The Genie” and wants to collaborate with the Blend community to hear new remixes
Are you ready to collaborate with Markus? Here is how to get involved
Pull “No Gummy Bears For The Genie” project
Create your remix in your DAW of choice
Publish your update by June 5th to submit your remix and have Markus will review all of the submissions
And that’s it!
Markus and Blend will review all of the published updates and pick one grand prize winner to receive Neutron (Standard) by Izotope, and ROLI’s Equator as well as get their remix released on the Blend label. The runner ups will have their remix featured on Markus’ remix release. Start exploring his awesome track and let’s start making music
I am so thrilled that blend.io is again giving me this incredible opportunity for showcasing my music. Remixing is fun and educational at the same time. I do it constantly between making my own tracks. It is a great way to get some insight into other producers projects. Eventually this is also the way I won my Seaboard Rise25, a professional Mix from Grammy nominated Mixing Engineer Brent Kolatalo. And in the end it even led to my first EP release “NOW” on the blend label.
So if you are making electronic music be sure to check it out. I have given you the full Stems and some Midi Parts. But you are not required to use more than one of the tracks. Have fun with it, rework it any way you like and give it your twist. The offered prizes are well worth a few hours of fun with your favorite pass-time. I am looking forward to reviewing your remixes. Bpm is 123 Key is Ebmaj. Oh and if you want to know the origin story of this album and the track, just go read it here on my blog or on the track descriptions on Bandcamp.
the final full video for NYC Nights has been released on Youtube. This one was the frist graphic video I did. The idea was to create a NYC City scene and move it slowly to the scene shown in the full album cover. I feel it turned out to be quite nice. I did it all with quite simple tools. Using Photoshop Elements and Premiere Elements as well as the free tool Inkscape.
The whole idea of creating a graphic video and slowly creating a cover scene for the new album took quite some time. Decisions are never easy and I hope you like the outcome as well as the underlying tune. Cruising Through The Night was the first track I created for the album and set the tone for one half of the more jazz rock inspired tunes.
I am currently working on more video ideas, probably based on the photos on videos from our trip to NY. Looking forward to your opinions. Post them here or on my social media.Thanks for listening and viewing anyway.
Today I released my next full album on bandcamp. It is a concept album describing the emotions and impressions I had when visiting New York City in October 2017. This is a pre-release. The full release on all major streaming sites will follow in the next days.
The story of NYC Nights
In September 2017 we got the wicked idea of why not spend a second holiday this year in New York. We had wanted to go several times in the last 10 years, but never had gone. We decided and booked on a whim and sure enough in October we found ourselves in the big apple. I recently had bought a cheap field recorder just to try it out and what an opportunity it was.
New York isn’t just a city of light but of constant sound. You cannot escape it. From sirens to jackhammers to buzzing people. The ever humming sounds just engulf you and finally inspire the musician in you. I had to do something with it. So the raw idea was born. I first thought of using most of the sounds rhythmically i.e. for making beats and but the project soon took on a life of its own. Sometimes the tracks developed out of the sound i.e. the Jackhammer wake-up service, sometimes an idea was complimented by certain sounds i.e. street sounds and accelerating cars or just the idea survived and a track came from nowhere. It certainly is funny the way inspiration works …
And so is life. In January the project stopped as I got stopped by my internal beat Maschine loosing its rhythm. (heart attack) This, in a way, at the same time stalled and sped up the project as I am currently forced to stay at home, which gave me plenty of time to finish the album. As is my fashion it spans from Rock to Jazz to Electronica. Some classical ideas and EDM are in there too. If I can find one listener who enjoys the whole album as I did I’d be very lucky. The mood of the album feels a bit melancholic at times, so I wanted it to end on a fun track. The track title is an in joke only my family and our friends in New York will understand(, or any parent with young children high on sugar.)
So as always Listen, enjoy, tell your friends and foes about it.